"C" is the flat 5 of Fsharp, so you have to play "C", not Csharp. In "Autumn Leaves", there is a chord called, "Fsharp minor, flat 5. Note: Remember, when I say fifth, you may have to play the flat 5 if that is th name of the chord. That root is D, so I played one-half step above the D. The Eflat is one-half step above the next chord's root. On "Autumn Leaves" in E minor(key of one sharp), this would mean: A-E-A Eflat-D-A-D-Aflat- G-D-G-G-Fsharp-C-Fsharp-C-B.Īfter the pickups, the first chord is Am. You can either move up or down to hit roots or fifths. The easiest formula could be playing the root on beat 1, the fifth on beat 2, the root on beat 3, and one-half step above the next chord root on beat 4. You may try a verse using a walking bass line. Therefore, doubling notes in chords is not used in accordance with classical harmony For example, jazz voicings does not tolerate doubling the bass in octave in left hand, but before all - soprano. Thus, unlike classical chords, which are built from the bottom up, open voicings in jazz are built from the top down. The last stage (for beginners) - addition of a bass tone. In Drop 2 this will be the second voice under the soprano, in Drop 3 is the third voice under soprano, in Drop 2 and 4 - the second and fourth voices under the soprano.ĥ. To do this, you shift one (or two) chord tones an octave down to left hand. Thus, D replaces the note C, and the order of all other notes of the chord is normal : E-G-B-D ( C).Ĥ.The next stage is to create an open position of chord. ģ.If the melody has a non-chord tone, then it usually replaces the chord tone, located one step down for example, melodic tone D together with Cmaj7. Looking for such an inversion of chord, so that in soprano will be of the melodic note. A chord is created in the right hand in a close position.Ģ. To the technique of arranging the chords of Drop 2 also join Drop 3 and Drop 2 and 4.
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